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QWALALA BY PAE WHITE

Qwalala, the monumental new sculpture by American artist Pae White. It was presented on May 12th coinciding with the 57th International Art Exhibition – La Biennale di Venezia. It is the second outdoor installation (following Hiroshi Sugimoto’s Glass Tea House Mondrian) to be commissioned by LE STANZE DEL VETRO. 

Qwalala consists of a curving wall made only of solid glass-bricks, which occupies the entire area opposite LE STANZE DEL VETRO.  At 75 metres long and 2.4 metres high, the 3,000 glass bricks for Qwalala were hand-cast by Poesia Glass Studio in the Veneto region. Each of these hand-cast bricks is unique, owing much to chance and variation inherent in the artisanal manufacturing process.

Approximately half of the bricks are made of clear glass. The other 1,500 bricks span a palette of 26 colours, and are made using a technique where each brick contains a “storm”-like effect of swirling colour, while remaining transparent. The artist combines these bricks to form an abstract, painterly pattern when viewed from afar, which, upon closer inspection, reveals unexpected worlds of detail. The muted blues, greens, pinks, greys and browns of the palette are drawn from colours used in first century Roman glassmaking created by the presence of sulphur, copper, manganese, and other metals and minerals.

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Qwalala by Pae White. Courtesy Le Stanze del Vetro. Photo © Enrico Fiorese

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Qwalala by Pae White. Courtesy Le Stanze del Vetro. Photo © Enrico Fiorese

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Qwalala by Pae White. Courtesy Le Stanze del Vetro. Photo © Enrico Fiorese

The title of the piece, Qwalala, is a Native American Pomo word meaning “coming down water place.” It references the meandering flow of the Gualala river in Northern California, which the work echoes in both its structure and layout. The wall’s ever-shifting play of light, recalls the way in which the colour and temperature of the river water changes minute to minute as it meets the Pacific Ocean. Additionally, the name “Qwalala” itself, rolling off the tongue, also mimics the visceral experience of the body as it journeys around and through the curves of the wall. Pae White has a long-standing interest in glass and its potential as a building material merging the idea of chaos and the elusive with practicality.

The bricks and construction methods used for Qwalala are the result of long and exhaustive research into the material and its functionality for construction. Seemingly simple in its form, the wall is a complex feat of engineering that has been made possible due to the structural analysis and design of leading engineering firm schlaich bergermann partner. It is supported by a steel base and a special structural sealant provided by Dow Corning. Qwalala bears witness to Pae White’s interest in combining common materials with cutting-edge technology, traditional craftsmanship with advanced engineering, and employing industrial manufacturing to challenge the limits of each of these. The result can be understood as both a sculpture that is evocative of architecture and architecture that is evocative of sculpture.

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Qwalala by Pae White. Courtesy Le Stanze del Vetro. Photo © Enrico Fiorese

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Qwalala by Pae White. Courtesy Le Stanze del Vetro . Photo © Enrico Fiorese

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Qwalala by Pae White. Courtesy Le Stanze del Vetro. Photo © Enrico Fiorese

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Pae White. Photo © Enrico Fiorese

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