Tashkeel presents “The Body Keeps the Score” by Hadeyeh Badri to mark the culmination of her participation in Tashkeel’s Critical Practice Programme. Having worked with her mentors Roderick Grant and Dr. Alexandra MacGlip over 8 months, Badri chose to explore the intimate and personal account of losing her late aunt, Shahnaz Badri.
The body of work started as an act of commemoration with Badri safekeeping her late aunt Shahnaz Badri’s belongings out of an innate fear that she would be forgotten. Observations from the hospital dominate some of Badri’s most cherished and at the same time, most dreaded memories. As her aunt’s primary caretaker at the hospital, she was witness to repeated waves of recovery and relapse, and eventually, as the doctors coined it, ‘deterioration’. “Language is insufficient when describing painful or traumatic experiences” says Badri.
The work, always in between the clinically impersonal and the subjective, looks at old photographs, medical correspondence like emails and letters from physicians, and organic materials to connote the struggle of grappling with loss, illness and ritual practice. “Those impacted have deficient ways of discussing issues that swathe them with discomfort and uncertainty. In contrast, doctors have a clinical way of describing the state of sick bodies; verbal and written reports are cold, detached, sharp” continues Badri.
Hadeyeh Badri is the first participant from Tashkeel’s 2016-17 Critical Practice Programme exhibiting this year. “The Body Keeps the Score” is on display at the Tashkeel gallery in Nad Al Sheba from April 12 – May 11, 2017.